"Because I Could Not Stop For Death"
Emily Dickinson
Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.
We passed the school, where children strove
At recess, in the ring;
We passed the fields of gazing grain,
We passed the setting sun.
Or rather, he passed us;
The dews grew quivering and chill,
For only gossamer my gown,
My tippet only tulle.
We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.
Since then 'tis centuries, and yet each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
Now, we immediately realize the wonder of this poem. Upon first glance you encounter the mood of sheer peace and calmness, and next you see that she is taking a journey after her life on earth, and toward a place of immortality, or eternal life. After a closer look, it appears that the death she references in the first stanza is strangely capitalized, as if to refer to a person. So, death is a person.
A male person.
Huh.
Continuing with our analysis of death, we see that it's just her and Death in this carriage.
Interesting.
If we keep going even deeper into the workings of this poem, we look at the way she seems to be referring to death, and we begin to realize that death seems to
be sort of attractive to her, as if she has a little fancy for death. When she says that "they knew no haste," you can assume that they are enjoying themselves.
And what's funner than sex?
Fine, more fun.
What's more fun than sex?
Or, so I've heard.
...
ANYWAYS, moving on, the poem mentions that they "pass the setting sun."
Mood lighting?
Gosh, all they need is some smooth jazz.
Next thing we realize is that she is wearing only a gossamer gown. For those of you who don't know what gossamer is, it is an extremely fine spider silk.
Hmmm...Silk...
Now back to the top.
Remember when I was talking about death being capitalized, therefore he is a person? Well, what about Immortality?
So he's watching.
Kinky.
Now, we reach the part about the horses heads. This can't possibly be about sex.
Wrong again, dear fellow, wrong again.
If we wish to examine the possible meanings of this term, we must first look upon the horses head. Let's look at the shape, shall we?
Notice how the horses head naturally points down.
Need I say more?
And then we come full circle, back to the beginning again.
Keep in mind, I'm not saying this poem is about sex, nor am I in any way bashing Emily Dickinson. She's bitchin. I'm just saying, this is one really fun way to examine poetry.
God, I'm such a man. And I wonder why I don't have a boyfriend.
-Emily Ann